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Documenting the Invisible: Political Agency in Trevor Paglen Limit Telephotography

机译:记录看不见的东西:特雷弗·帕格伦限制电视摄影的政治机构

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Taken from up to forty miles away, Trevor Paglen's limit telephotography images of covert military bases in the American Southwest are blurred by dense atmopshere, dust and debris. In effect, his photographs are highly illegible, and thus the military bases escape any sort of revelation. Following this logic, if one cannot see these top secret locations, then these images are in fact not politically effective at disclosing confidential federal information. Rather, Paglen asserts that the political agency of his can be located not in the image, but in the practice of performing limit telephotography - standing on public land and excercising the right to photograph. In turn, Paglen relocates the documentarian potential of his images into an agency formulated by a relational aesthetic, one in which the communal effects of creating the image and interpreting it generate the possibilities of enacting further practices of political resistance.
机译:特雷弗·帕格伦(Trevor Paglen)从40英里外拍摄的美国西南部秘密军事基地的极限远景摄影图像被浓密的大气,灰尘和碎屑所模糊。实际上,他的照片难以辨认,因此军事基地无法获得任何启示。按照这种逻辑,如果看不到这些最高机密位置,那么这些图像实际上在公开机密联邦信息方面就没有政治效力。相反,Paglen断言,他的政治机构可能不在图像中,而是在进行极限远距摄影的实践中-站在公共土地上并行使照相权。反过来,帕格伦将他的图像的纪录片潜力重新定位到一种由关系美学制定的机构中,在这种机构中,创造图像和解释图像的共同作用产生了进一步采取政治抵抗实践的可能性。

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