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Pietro Porcinai and Pinocchio's Park in Collodi, Italy: Art, Garden, Landscape

机译:意大利科洛迪的彼得罗·波西奈(Pietro Porcinai)和皮诺曹(Pinocchio)公园:艺术,花园,风景

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Pinocchio's Park was created within a context of great historical significance, as it is located near one of the most lavish examples of eighteenth century gardens, Villa Garzoni, the ancient fortified dwelling of Collodi. This innovative model of contemporary amusement garden with art also reflects the aesthetics of the traditional Tuscan rural landscape. It is an example of rare artistic, cultural and historical relevance created, "to the measures of infancy", over a twenty-year period in post-war Italy with the aim of boosting the local economy. To this day, it still represents a unique model of landscape-meets-art. From the moment it appeared, Pinocchio's Park succeeded in making real a mental landscape already existing for so many children dreaming about their friend Pinocchio. It brought to life an environmental art form ahead of its time, set in a garden reminiscent of childhood with sculptures, architectural follies and furnishings, which echo the events of a fairytale familiar to millions. It created an "imaginative reality" providing the setting for a meta-language of fun and games based on art and didactics, visually referring to the surrounding landscape.
机译:匹诺曹的公园是在具有重大历史意义的背景下创建的,因为它靠近18世纪花园最奢华的例子之一,加尔佐尼别墅(Collodi的古堡)。这种带有艺术的当代游乐园创新模式也反映了传统的托斯卡纳乡村景观的美学。它是战后意大利二十年来为促进当地经济发展而在“婴儿时期”创造出罕见的艺术,文化和历史意义的例子。时至今日,它仍然代表着景观艺术的独特典范。从它出现的那一刻起,匹诺曹的公园就成功地使许多梦ing以求的朋友匹诺曹的孩子们拥有了真实的精神景观。它提前将一种环境艺术形式栩栩如生,设在一个让人联想起童年时代的花园中,雕塑,建筑装饰和家具摆设,呼应了数以百万计的童话故事。它创造了一个“想象中的现实”,为基于艺术和教学手段的娱乐和游戏的元语言设置提供了环境,并在视觉上参照了周围的风景。

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