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Nautical Charts, Texts, and Transmission: The Case of Conte di Ottomano Freducci and Fra Mauro

机译:航海图,文本和传播方式:孔蒂·迪奥托马塔诺·弗雷迪奇和弗拉·毛罗的案例

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The article addresses an unstudied nautical chart made by Conte di Ottomano Freducci in 1529 (British Library Add. MS. 11548) which is unusual for its long and non-traditional legends (descriptive texts). Following a discussion of what we know about Freducci and a survey of all his surviving works, I supply a full transcription, translation, and study of the legends on this chart, and compare them as far as possible with those on the other two charts by Freducci that have very similar long legends (Lucca, Biblioteca Statale, MS. 2720, and a chart sold at Christie’s on 20 May 1998). Study of these legends reveals that some of the information in them came from the maps and notes of Fra Mauro, the Venetian cartographer who was active almost a hundred years before Freducci made these charts. While Freducci was willing to set aside traditional nautical chart legends, instead of composing legends with information about new discoveries, he wrote texts with recondite pieces of information culled from older sources, including Fra Mauro, probably in part out of respect for Fra Mauro’s cartographic work. The appearance of information from Fra Mauro is also discussed in maps by Angelo Freducci, son of Conte di Ottomano Freducci, and in a map by Giorgio Calapoda made in 1541. I also argue that a nautical chart in the Vatican (BAV Borgiano V), which is known to have legends similar to those on Fra Mauro’s mappamundi and had been attributed to Fra Mauro’s workshop, was actually made by Conte di Ottomano Freducci. The article allows us a glimpse into the world of early sixteenth-century chartmaking, and into the life of a cartographer about whom we otherwise know almost nothing.
机译:本文介绍了孔蒂·迪·奥托玛塔诺·弗雷杜奇(Conte di Ottomano Freducci)在1529年制作的未经研究的航海图(大英图书馆地址:MS。11548),该航图因其悠久的和非传统的传说(描述性文字)而与众不同。在讨论了我们对弗雷杜奇的了解以及对他所有尚存作品的调查之后,我提供了这张图表上的传说的完整抄录,翻译和研究,并将它们与其他两张图表中的传说进行了尽可能的比较。弗雷杜奇(Freducci)有着非常相似的悠久传说(卢卡(Lucca),比布利特卡斯塔塔莱(Biblioteca Statale),MS。2720,以及一张于1998年5月20日在佳士得拍卖行出售的图表)。对这些传说的研究表明,其中一些信息来自于威尼斯制图师弗朗·毛罗(Fra Mauro)的地图和笔记,他在弗雷杜奇(Freducci)制作这些图表之前已有近一百年的历史。弗雷杜奇(Freducci)愿意抛弃传统的航海图传奇,而不是将传说中的新发现与信息结合在一起,而是撰写文字文字,并从包括弗拉·毛罗(Fra Mauro)在内的旧资料中搜集信息,这可能是出于对弗拉·毛罗(Fra Mauro)的制图工作的尊重。 Conte di Ottomano Freducci的儿子Angelo Freducci的地图和1541年Giorgio Calapoda绘制的地图中也讨论了Fra Mauro信息的出现。我还认为,梵蒂冈的航海图(BAV Borgiano V)传说中的传说与Fra Mauro的mappamundi传说相似,并且归因于Fra Mauro的工作室,实际上是Conte di Ottomano Freducci制造的。这篇文章使我们可以瞥见16世纪早期的制图世界,以及制图师的生活,否则我们几乎一无所知。

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