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The First British Performances of Beethoven?s ?Choral? Symphony: The Philharmonic Society and Sir George Smart

机译:贝多芬《合唱》在英国的首次演出交响乐团:爱乐协会和乔治·斯玛特爵士

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The Philharmonic Society of London commissioned a new symphony from Beethoven in 1823. After some delay, still not entirely explained, it received a manuscript score of the Ninth Symphony late in 1824. The Society immediately set about preparations for a private ‘trial’ performance of the work, and for its inclusion in the subsequent 1825 concert season. Using the surviving documents from the Philharmonic Society’s archive, this article examines the circumstances of these first performances of Beethoven’s best-known work, of the further trial performance staged in 1828 in the wake of the composer’s death, and of the performance given in 1830 by largely Philharmonic forces as part of Charles Neate’s benefit concert. All four performances were conducted by Sir George Smart, who had taken the trouble to visit Beethoven in Vienna in the summer of 1825 to consult him on problems he had encountered in performing the work. Nevertheless, following the private trial early in 1828, it was not included in that year’s concert season, and the Philharmonic Society did not perform the Ninth Symphony again until 1837.
机译:伦敦爱乐乐团于1823年委托贝多芬创作了一部新交响曲。经过一些延误(仍未完全解释),它在1824年末收到了《第九交响曲》的手稿乐谱。该协会立即着手准备私人的“试奏”演出。作品,并将其纳入随后的1825年演唱会季。本文使用爱乐乐团档案中的残存文档,考察了贝多芬最著名作品首次演出的情况,作曲家去世后于1828年进行的进一步试演以及1830年作曲家的演出。作为查尔斯·尼特(Charles Neate)慈善音乐会的一部分,主要是爱乐乐团。所有四场演出均由乔治·斯马特爵士(Sir George Smart)进行,他于1825年夏天费心前往维也纳的贝多芬,向他咨询在执行工作中遇到的问题。不过,在1828年初进行私人审判后,该音乐节并未纳入当年的音乐会,而爱乐乐团直到1837年才再次演出第九交响曲。

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