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Underground imaginations, environmental crisis and subterranean cultural geographies

机译:地下的想象力,环境危机和地下文化地理

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It is claimed that our current environmental crisis is one of the imaginations: we are in desperate need of new means to understand relations between humans and their environment. The underground was once central to the evolution of Western environmental imaginations. Yet, this has waned throughout the 20th century as eyes and minds turned up and out. After outlining some of the history of the underground as a site from which to evolve environmental imaginations, the article will explore how the underground might propagate environmental imaginations fit for pressing contemporary environmental concerns. It will do so using examples of three caves evolved through an ongoing arts practice-based research collaboration with artist Flora Parrott. Exploring these three caves, I will explore how the underground offers a powerful site for doing the imaginative work that our current environmental crisis requires, focusing in particular on the challenges of engaging lively earths and deep times (pasts and futures) that have become commonplace in the Anthropocene. To close, the article begins to reflect on the possibilities of collaborative creative geographies as a means to rethink the idea of the imagination within geography, as not just something that might be studied but that these creative practices might enable the creation of much-needed new imaginations.
机译:据称,当前的环境危机是我们的想象力之一:我们迫切需要新的手段来理解人类与环境之间的关系。地下曾经是西方环境想象力发展的中心。然而,在整个20世纪,随着人们的视线出现和消失,这种情况已经减弱。在概述了一些地下历史作为从中发展环境想象力的场所之后,本文将探讨地下如何传播环境想象力,以解决当代紧迫的环境问题。它将通过与艺术家弗洛拉·帕罗特(Flora Parrott)正在进行的基于艺术实践的研究合作,演变出三个洞穴的例子来实现。探索这三个洞穴后,我将探索地下如何为我们当前的环境危机所需要的富有想象力的工作提供一个有力的场所,尤其着重于解决在地球上已变得司空见惯的活跃地球和深渊(过去和未来)带来的挑战。人类世。最后,本文开始反思协作式创意地理区域的可能性,以此作为重新思考地理区域内想象力的一种手段,不仅是可以研究的内容,而且这些创意做法可以使急需的新创意得以创建想象力。

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