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The poetics of restoring Glen Canyon: the 'desert imagination' of Ellen Meloy and Terry Tempest Williams

机译:恢复格伦峡谷的诗意:艾伦·梅洛伊(Ellen Meloy)和特里·坦普斯特·威廉姆斯(Terry Tempest Williams)的“沙漠想象”

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摘要

There has been a literary tradition supporting the restoration of Glen Canyon in southern Utah ever since construction began on Glen Canyon Dam in the late 1950s, and the canyons began to disappear behind the rising waters of Lake Powell. While some of Glen Canyon’s literary protagonists put forward a strong political and anarchical refrain for a ‘Glen Canyon restored’, this article considers those writers and texts that instead look to the power of appeals to emotion in defense of the desert. In particular, this article considers the evocative capacity of environmental writing to convey emotional and affective landscapes. This article examines the desert writings of Ellen Meloy and Terry Tempest Williams, and the ways in which they employ rhetoric, myth, story, motifs, metaphor, symbolism, and allegory to speak back to the environmental condition, and the ongoing call to restore Glen Canyon. Meloy’s and Williams’ works present individual testimonies molded by personal engagement, experience, and investigation in the desert – but also contribute to ecological and political discourse in the Glen.
机译:自1950年代后期在格伦峡谷大坝上开始建造工程以来,就有文学传统支持犹他州南部的格伦峡谷的恢复,而峡谷在消失的鲍威尔湖之后逐渐消失。尽管格伦峡谷的一些文学主人公强烈主张“恢复格伦峡谷”,但在政治和无政府状态中,这些文章考虑的是那些作家和文本,它们寻求在捍卫沙漠中诉诸情感的力量。特别是,本文考虑了环境写作传达情感和情感风景的令人回味的能力。本文研究了艾伦·梅洛伊(Ellen Meloy)和特里·坦普斯特·威廉姆斯(Terry Tempest Williams)的沙漠著作,以及他们运用修辞,神话,故事,主题,隐喻,象征和寓言来诉说环境状况的方式,以及为恢复格伦而进行的呼吁峡谷。梅洛伊(Meloy)和威廉姆斯(Williams)的作品展现了在沙漠中的个人参与,经验和调查所塑造的个人见证,但也为格伦(Glen)的生态和政治话语做出了贡献。

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