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David Mitchell's Ghostwritten and the “Novel of Globalization”: Biopower and the Secret History of the Novel

机译:大卫·米切尔(David Mitchell)的《捉鬼敢死书》和“全球化的小说”:生物力量和小说的秘密历史

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David Mitchell's debut novel Ghostwritten (1999) not only depicts a globalized world; its peculiar formal organization also embodies the mode of relatedness that characterizes globalization. This article shows that the invisible, decentralized power that defines globalization can be understood as what Michel Foucault called biopower. As a “novel of globalization,” Mitchell's novel lays bare the hidden historical and theoretical affinities between the novel genre on the one hand and biopower on the other.View full textDownload full textKeywordsbiopolitics, David Mitchell, globalization, Michel Foucault, novel theoryRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/00111619.2010.511318
机译:大卫·米切尔(David Mitchell)的处女作《捉鬼敢死队》(Ghostwriter,1999年)不仅描绘了一个全球化的世界,还描绘了一个世界。它独特的正式组织也体现了全球化的特征。本文表明,定义全球化的无形,分散的权力可以理解为米歇尔·福柯所说的生物权力。作为“全球化的小说”,米歇尔的小说一方面揭示了小说类型与另一方面生物力量之间的隐藏的历史和理论联系。查看全文下载全文关键词生物政治学,大卫·米切尔,全球化,米歇尔·福柯(Michel Foucault),新颖理论相关var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/00111619.2010.511318

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