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首页> 外文期刊>Critical Studies in Media Communication >The Mundane to the Memorial: Circulating and Deliberating the War in Iraq Through Vernacular Soldier-Produced Videos
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The Mundane to the Memorial: Circulating and Deliberating the War in Iraq Through Vernacular Soldier-Produced Videos

机译:纪念馆的世界:通过白话士兵制作的视频传播和审议伊拉克战争

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摘要

The War in Iraq has been one of the most documented wars in history using participatory media technologies. This essay examines how YouTube videos produced and consumed during the War in Iraq offer an alternative to the military-media control over information and images both during and after the conflict. Videos produced by soldiers on the frontlines provide a unique case study for vernacular discourse as it circulates and is re-mediated on the computer screens of multiple publics. Therefore, we describe the most popular genre of combat music videos and perform a critical rhetorical analysis that explores the problematic articulations inherent in the productions. While the videos perform an important role as vernacular argumentation, they nevertheless contain Orientalist and nationalist discourses. These representations become more powerful considering that audiences accord the videos a greater sense of authenticity and authority derived from their vernacular status. We also discuss how the circulation and consumption of both vernacular soldier-produced videos and hybridized participatory media products from the U.S. military in the YouTube digital space problematizes notions of vernacular and hegemonic. Ultimately, these combat videos complicate public deliberation regarding the War in Iraq because of their ambiguous authorship.View full textDownload full textKeywordsSoldier videos, Vernacular discourse, War in Iraq, Deliberation, YouTubeRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/15295036.2011.589031
机译:使用参与式媒体技术,伊拉克战争是历史上最有记载的战争之一。本文探讨了伊拉克战争期间生产和消费的YouTube视频如何为军事媒体在冲突期间和冲突后控制信息和图像提供一种替代方法。士兵们在前线制作的视频为白话语的传播提供了独特的案例研究,并在多个公众的计算机屏幕上重新播出。因此,我们描述了最流行的格斗音乐视频类型,并进行了重要的修辞分析,以探讨制作中固有的有问题的发音。尽管这些录像带作为白话论据发挥着重要作用,但它们仍包含东方主义和民族主义话语。考虑到观众给视频赋予了更高的真实性和权威性,这些表达变得更加有力,而真实性和权威性源于其白话身份。我们还将讨论在YouTube数字空间中来自美国军方的白话士兵制作的视频和混合参与式媒体产品的发行和消费如何使白话和霸权的概念受到质疑。最终,这些战斗视频由于作者模棱两可而使公众对伊拉克战争的审议变得更加复杂。 ::“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/15295036.2011.589031

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