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Global trauma and public feelings: Viewing images of catastrophe

机译:全球创伤和公众感受:查看灾难图片

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Scholars have begun to discuss new digital viewing contexts, but few have explored processes involved in responding to images of catastrophe. Many assume that cognition (meaning) is primary in image-reception, but I'll show the complex interaction of cognition and affect. Drawing on research in psychology and cultural studies, I explore how proliferation of images may produce a culture of trauma. I define, analyze and critique three kinds of possible response to images of catastrophe. These are: a) secondary or vicarious trauma (VT), a response in which the viewer is shocked to the extent of being emotionally over-aroused; b) what I call “empty empathy,” to indicate the fleeting nature of empathic emotions that viewers often experience; and finally c) witnessing - a response that transforms the viewer in a positive pro-social manner, and that, unlike the first sorts of response, involves ethics along with empathy. The argument is supported by images drawn from the war in Iraq, Hurricane Katrina and recent art by Witkin and Harden.
机译:学者们已经开始讨论新的数字观看环境,但是很少有人探索应对灾难图像的过程。许多人认为认知(含义)是图像接收的主要内容,但我将展示认知和情感之间的复杂相互作用。通过心理学和文化研究的研究,我探索图像的扩散如何产生创伤文化。我定义,分析和批判了对灾难图像的三种可能的反应。这些是:a)继发性或替代性创伤(VT),这种反应使观看者在情感上过度兴奋而感到震惊; b)我所谓的“空洞的移情”,表示观众经常经历的移情的短暂性;最后是c)见证–一种以积极的亲社会方式改变观看者的反应,并且不同于第一种反应,它涉及道德和同理心。伊拉克战争,卡特里娜飓风以及维特金和哈登的最新艺术作品为这些论点提供了支持。

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