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Liveness in Reality Television and Factual Broadcasting

机译:实况电视和实况转播中的生动性

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The emergence of reality TV and the use of live-shot material in documentary programs are salient features of contemporary television, raising a variety of challenges for critical analysis. We present here a number of pieces that reflect on "liveness" in different genres (reality TV, news, and documentary) from diverse theoretical perspectives. In the first paper, Peter Lunt introduces the papers and sets the scene by developing key themes in the analysis of liveness. The papers by Nick Couldry and Jane Roscoe discuss reality TV. John Corner analyzes the use of live-shot material in documentaries. Finally, Thornborrow and Fitzgerald unravel the deployment of devices for representing reports of live events in news.
机译:现实电视的出现和纪录片节目中实况镜头的使用是当代电视的显着特征,给批判性分析提出了各种挑战。我们在这里展示许多作品,这些作品从不同的理论角度反映了不同流派(现实电视,新闻和纪录片)中的“生动性”。在第一篇论文中,Peter Lunt介绍了论文,并通过发展生动性分析中的关键主题来设置场景。 Nick Couldry和Jane Roscoe的论文讨论了真人秀。约翰·科纳(John Corner)分析了纪录片中实况拍摄材料的使用。最终,Thornborrow和Fitzgerald解开了用于代表新闻现场事件报道的设备的部署。

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