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Beyond 'Commercial Realism': Extending Goff man's Gender Display Framework to Networked Media Contexts

机译:除了“商业现实主义”之外:将Goff Man的性别展示框架扩展到网络媒体上下文

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Erving Goffman's gender display framework is a typology of nonverbal posing codes that connote the subordination of women in commercial imagery and a prominent tool for assessing visualizations of gender stereotyping in mass media. Researchers have recently begun to apply the advertisement-based framework to a new context: user-generated social media photos. Despite findings that gender display appears prevalent in such images, deeper critical examinations of how the framework changes when applied across media contexts have not been meaningfully undertaken. Drawing from the interplay of Goffman's concepts of hyper-ritualization and commercial realism, I argue that the manifestations and interpretive implications of gender display are contingent upon the standard of realism at play, proposing a standard of networked realism that differently modulates gender display in user-generated photography. Ultimately, I suggest that gender display must be more thoroughly contextualized in networked media research and provide a groundwork for future feminist studies of visual gender stereotyping.
机译:Erving Goffman的性别展示框架是非语言构成代码的类型,该代码展示了商业图像中妇女的从属,以及评估大众媒体中性别陈规定型观念的可视化的突出工具。研究人员最近开始将基于广告的框架应用于新的上下文:用户生成的社交媒体照片。尽管发现性别显示在此类图像中出现普遍存在,但对跨媒体上下文施加在跨越媒体上下文时如何变化的更深入的关键检查尚未有意义地进行。从Goffman的超级仪式和商业现实主义的概念的相互作用,我认为性别展示的表现和解释性含量取决于戏剧的现实标准,提出了一种不同地调节用户的性别展示的网络现实主义标准 - 生成的摄影。最终,我建议在网络媒体研究中必须更彻底地彻底地彻底地了解,为视觉性别陈规定型观察的未来女权主义研究提供了基础。

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