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Rain/Drizzle/Fog: Film and Television in Atlantic Canada.

机译:雨/毛毛雨/雾:加拿大大西洋的电影和电视。

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Scholarly analyses of film and television in Canada have tended to privilege a national framework, often addressing regional particularities in a somewhat superficial way to shore up claims to Canada's cultural sovereignty. As such, Varga's edited collection, Rain/Drizzle/Fog, the first academic study of film and television in Atlantic Canada, is an important contribution to a growing literature that labours "to understand identity not as a national imaginary, but as something produced in the lived experience of place" (p. xii). The collection forms the second volume in the Cinemas Off Centre series out of the University of Calgary Press, edited and inaugurated by Malek Khouri (2007) with his book Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46.
机译:在加拿大,对电影和电视的学术分析倾向于优先考虑国家框架,通常以某种肤浅的方式处理区域特殊性,以增强对加拿大文化主权的主张。因此,瓦尔加(Varga)编辑的作品集《雨/毛毛雨/雾》是加拿大大西洋地区的第一部电影和电视学术研究,它对不断增长的文学做出了重要贡献,这些文学努力“理解身份不是国家的想象,而是理解为地方的生活经验”(第xii页)。该收藏集是卡尔加里大学出版社发行的电影院之外的系列中的第二本书,该书由Malek Khouri(2007)编辑并为他的著作《电影政治:共产主义和工人阶级的写照》在加拿大国家电影局开幕。 ,1939-46。

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