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The Idiot's Guide To Architecture

机译:白痴的建筑指南

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When architects want to rubbish traditional design they call it "pastiche". They roll out the P word and think that's enough to damn it. It's so easy. But when Bradford metropolitan council has a policy that says "new development must not resort to pastiche", when Hertfordshire council stipulates that "proposals that provide a pastiche ... should be discouraged", when someone senior in English Heritage announces that there's "no contest" between "good modern design and pastiche", it's serious. When pastiche is something officials want to stop, perhaps we ought to think carefully about what it means.rnIn the dictionary, pastiche is "a composition made up of bits of other works or imitations of another's style". If this sounds bad, why? Sometime in the 20th century we got the strange idea that for art to be modern it has to be unlike anything done before. This is, of course, ridiculous. All art is based on ideas, influences and bits from other artists. In architecture, this applies to modernist as well as traditional design. How many buildings have glass walls like Mies van der Rohe? How many use curvy Corbusian outside stairs or floating cubic walls?
机译:当建筑师想要废除传统设计时,他们称之为“ pastiche”。他们推出了P字,并认为足以毁了它。它是如此容易。但是当布拉德福德市议会制定了一项政策,即“新发展绝不能诉诸于模仿活动”时,赫特福德郡议会规定“不应鼓励提供模仿活动的建议……”,而一位英国遗产高级官员则宣布“优秀的现代设计与模仿”之间的竞争。当官员们想要停止模仿活动时,也许我们应该仔细考虑它的含义。在词典中,模仿活动是“由其他作品的一部分或模仿他人风格组成的组合”。如果听起来不好,为什么呢?在20世纪的某个时候,我们得到了一个奇怪的想法,即艺术要成为现代艺术,就必须与以往不同。当然,这是荒谬的。所有艺术都基于其他艺术家的思想,影响和点滴。在建筑中,这既适用于现代设计,也适用于传统设计。像密斯·凡·德·罗(Mies van der Rohe)这样的玻璃墙有几座?有多少人使用弯曲的柯布斯人的室外楼梯或浮动立方墙?

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  • 来源
    《Building》 |2008年第49期|33|共1页
  • 作者

    Robert Adam;

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