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The Large Theatre of Pompeii: Acoustic Evolution

机译:庞贝大剧院:声学演变

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This paper reports the acoustic evolution of the "Large Theatre" of Pompeii: during the Greek-Hellenistic and Roman period, and through to the present time. Initially the style of the theatre was Greek-Hellenistic with an elongated U shape and a cavea built into the top of a hill. During the Roman period the theatre shape was changed with a larger scene and a summa cavea added to accommodate about 5.000 spectators. After being recovered from under the Vesuvius lava it was partially reconstructed. Most recently the original grass-covered cavea has been paved with bricks and today the theatre provides a venue for a variety of types of performance. Its acoustic characteristics have been analysed using a virtual model for the Greek- Hellenistic and Roman period, and then, for the later configurations, when the cavea was grass-covered and then paved with bricks, with acoustic measurements.
机译:本文报道了庞贝古城“大剧院”在希腊希腊文化和罗马时期直至现在的声音演变。最初,剧院的风格是希腊希腊风格,带有细长的U形,并在山顶上建有洞穴。在罗马时期,剧院的形状随着较大的场景而改变,并增加了一个小洞,以容纳约5,000名观众。从维苏威火山熔岩下面回收后,部分重建。最近,原始的草覆盖的洞窟已用砖块铺成,如今,剧院提供了进行各种表演的场所。已使用希腊-希腊和罗马时期的虚拟模型分析了其声学特性,然后,对于后来的配置,先将草皮覆盖在草地上,然后用砖铺砌,然后进行声学测量。

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  • 来源
    《Building acoustics》 |2013年第3期|215-227|共13页
  • 作者单位

    Department of Architecture and Industrial Design, Second University of Naples - Borgo San Lorenzo, 81013 Aversa (Ce), Italy;

    Department of Architecture and Industrial Design, Second University of Naples - Borgo San Lorenzo, 81013 Aversa (Ce), Italy;

    Department of Architecture and Industrial Design, Second University of Naples - Borgo San Lorenzo, 81013 Aversa (Ce), Italy;

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