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NINJA TUNE 20 YEARS OF DESIGN

机译:《忍者通》设计20年

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摘要

The original Ninja Tune releases were given a generic 'house bag', a bright yellow sleeve with a hole cut in the middle. The label, 20 years old this year, was mainly releasing singles and the design was simple,-a Ninja stamp and the name of the label in Frankfurt Gothic Condensed down the side. This work was carried out under the direction of Mark Porter, who went on to redesign The Guardian newspaper in 2005. This simple but marketing-savvy idea ensured that the label's releases stood out on the shelves against the traditional black-and-grey house sleeves of its rivals. Yet it was the arrival of creative director Kevin Foakes, aka Strictly Kev, in 1993 having studied at Camberwell College of Art that bought a step-change in the label's design identity. Foakes' appointment coincided with a period of commercial growth and critical recognition allowing further exploration of the design of its products.
机译:最初的Ninja Tune发行版带有通用的“家装包”,即明亮的黄色袖子,中间有一个洞。该品牌今年20岁,主要发行单曲,设计简单,印有Ninja邮票,并在侧面印有法兰克福哥特式的标签名称。这项工作是在马克·波特(Mark Porter)的指导下进行的,马克·波特(Mark Porter)于2005年重新设计了《卫报》。这个简单但精通行销的想法确保该标签的发行版在货架上脱颖而出,与传统的黑灰色家用袖子相对立它的竞争对手。直到1993年,创意总监Kevin Foakes(又名Strictly Kev)的到来,在坎伯韦尔艺术学院学习后,品牌的设计身份发生了巨大变化。 Foakes的任命恰逢一段商业增长和关键认可的时期,从而可以进一步探索其产品的设计。

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    《Blueprint》 |2010年第10期|p.78-8183-84|共6页
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