In the section on Flesh in Le Corbusier's The Poem of the Right Angle, the viewer occupies the body of a man lying in an ambiguous interior. He seems to be looking at an interior landscape where a woman is peering out towards an opening that reveals a passing cloud. We can see the man's feet and a menhir, which is probably his erect penis. This area is covered by a hand placed dome-shape on the whole lithograph, which increases the sense of an interior or a cavern. The cedar model of the House for the Poem of the Right Angle was first displayed in 2010 at the Global Ends exhibition at Toto Gallery-Ma in Tokyo. Its environment owes a lot to this picture and also to our installation in Venice, The Boy Hidden in a Fish - an opaque reinforced concrete exterior; a quiet, fragrant cedar interior . This house is the latest refuge that we have built. Its structure is a regular 12 cm thick reinforced concrete vault with a span of up to 15 m, resting on the perimeter walls. The vault is cut irregularly around its perimeter, with an open courtyard left inside. This blind volume faces a privileged mountain landscape, encrusted in an oak forest and hemmed in by an artificial garden containing 300 basalt stones. Its enclosure shows that its inhabitants are familiar with the surroundings- like the familiarity of a farmer, a hobo or a monk - naturally.
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机译:在勒·柯布西耶(Le Corbusier)的《直角诗》(The Poem of the Angle)中的肉体部分中,观众占据了一个处于模棱两可内部的男人的尸体。他似乎正在看一个室内景观,一个女人正凝视着一个露出云朵的开口。我们可以看到男人的脚和竖a,这可能是他的阴茎勃起。在整个光刻过程中,该区域由呈圆顶形的手工覆盖,从而增加了内部感或洞穴感。直角诗屋的雪松模型于2010年在东京Toto Gallery-Ma的Global Ends展览上首次展出。它的环境在很大程度上归因于这张照片,也归功于我们在威尼斯安装的《鱼中隐隐的男孩》,这是一种不透明的钢筋混凝土外墙。安静,香柏木的内部这所房子是我们建造的最新避难所。它的结构是一个普通的12厘米厚的钢筋混凝土拱顶,其跨度最大为15 m,搁置在周边墙上。拱顶四周不规则地切开,内部留有开放式庭院。这个瞎眼的体积面对着特权的高山景观,被橡木林所包围,并被包含300块玄武岩石头的人造花园所包围。它的围墙表明其居民自然地熟悉周围的环境,例如农民,流浪汉或和尚的熟悉。
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