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Vertical City

机译:垂直城市

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摘要

Vertical City brings together sixteen architects to reconsider the 1922 brief for the design of a tower to house the Chicago Tribune. The original competition attracted 263 entries from the US and Europe, which were later published as a report featuring rendered perspectives from the same vantage. The collusion of print media and architecture, in this instance, effectively sealed the imagery of individual towers shown as a collection; as a result, the influence and reach of this particular project drove many responses and copies. The most famous of these was an exhibition of "late entry" drawings organized in 1980 by the Chicago Seven, led by Stanley Tigerman, which gathered a contemporaneous cross section of architectural ideas and influences. The Chicago Seven's version of the competition was decidedly paper-oriented. Problems of language and ornament that, in 1922, were occupied with the building production, were in 1980 relocated to the drawing production, which was more characteristic of the period.
机译:Vertical City汇集了16位建筑师,以重新考虑1922年的简报,以设计容纳芝加哥论坛报的塔楼。最初的比赛吸引了来自美国和欧洲的263项参赛作品,这些参赛作品后来作为报告发表,其中包含了同一角度的渲染视角。在这种情况下,印刷媒体和建筑的共谋有效地密封了显示为集合的单个塔的图像;结果,这个特定项目的影响力和影响力引发了许多回应和模仿。其中最著名的是1980年由斯坦利·泰格曼(Stanley Tigerman)率领的芝加哥七人制举办的“后期入门”绘画展览,该展览汇集了同时期的建筑思想和影响。芝加哥七人榄球赛的版本肯定是纸面的。在1922年被建筑生产所占据的语言和装饰问题,在1980年被转移到了图纸生产上,这是该时期更具特色的。

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  • 来源
    《建築と都市》 |2018年第570期|28-41|共14页
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  • 正文语种 eng
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  • 入库时间 2022-08-18 04:02:20

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