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机译:莫纳德诺克

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The Atlas House is situated on the edge of the city of Eindhoven, opposite a historic rural estate. The compact square building manifests itself as a tower. It is rotated 45 degrees relative to the street and is detached from the boundaries of the plot. All windows are grouped around the corners and at times allow for diagonal views through the volume. Internally, the rotation provides striking vistas along the edges of the forest. The depth of the facade openings reveals that the size and color of the bricks is the same both inside and outside. These define the character of the raw and restrained interior. The external facades offer no clues about the playful offsets of the internal spaces. The interior reveals a collection of rooms of various heights and floor levels, each giving their respective window openings specific characteristics. On this modest plot size, a spacious residence had to be combined with the client's wish for a garden. Therefore, the footprint of the house is minimized within the given building height, resulting in a vertically organized program. Due to the proximity of other houses in the neighborhood, the amount of privacy in the garden is limited. Hence, the tower-like structure offers a roof terrace with maximum privacy where one can dwell between the treetops. The Atlas House is built with large types of red bricks, both inside and outside. For the facades, a striking brushed form of pointing is used, creating a strong graphical pattern. Across the volume, the facades contain decorations that refer to the Dutch Neo-Renaissance tradition of enriching ordinary brickwork with plaster, suggesting architectural elements like keystones and tympans. The upper part of the building is finished with a light-colored layer of cement, distinguishing the classical plinth from the more lightweight top. The slightly lifted corners of the roof further emphasize this theme, bringing to mind Atlas, the Greek mythological figure that carries the sky on his shoulders for eternity.
机译:阿特拉斯之家位于埃因霍温市的边缘,对面是一座历史悠久的乡村庄园。紧凑的方形建筑表现为塔。它相对于街道旋转45度,并且与地块的边界分离。所有窗口都在拐角处分组,有时还可以通过该对角线查看整个窗口。在内部,旋转沿森林的边缘提供了惊人的远景。立面开口的深度表明,砖的大小和颜色在内部和外部均相同。这些定义了原始和受约束的内部的特征。外墙没有提供有关内部空间的有趣偏移的任何线索。内部显示了一系列不同高度和楼层的房间,每个房间都具有各自的开窗特殊特征。在这样小的地块上,必须将宽敞的住宅与客户对花园的渴望结合起来。因此,在给定的建筑物高度内,房屋的占地面积要最小化,从而产生垂直组织的程序。由于附近其他房屋的靠近,花园中的隐私数量有限。因此,塔状结构提供了一个具有最大私密性的屋顶露台,使人们可以在树梢之间居住。阿特拉斯之家的内部和外部均建有各种类型的红砖。对于外墙,使用了醒目的拉丝笔尖形式,从而创建了强大的图形图案。在整个体积中,外墙包含装饰,这些装饰参照了荷兰新文艺复兴时期的传统,即用石膏丰富普通的砖砌结构,并暗示了像梯形石和鼓膜这样的建筑元素。建筑物的上部饰有浅色水泥层,使经典的底座与更轻巧的顶部区分开。屋顶略微抬起的角进一步强调了这个主题,使人联想到希腊神话人物阿特拉斯(Atlas),他的肩膀上空载着永恒。

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    《建築と都市》 |2018年第570期|126-129|共4页
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  • 入库时间 2022-08-18 04:02:20

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