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At the University of Sydney's Muniment Room Catherine Lassen stages an architectural encounter with Edmund Blacket across time

机译:凯瑟琳·拉森(Catherine Lassen)在悉尼大学的研习室里与埃德蒙·布莱克特(Edmund Blacket)进行跨时代的建筑接触

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摘要

The Finnish architectural critic Juhani Pallasmaa uses the word encounter to describe human engagement with architecture. It is a decisive use of terminology. To encounter architecture suggests that one comes ready to question and to react to it. It has a subtle but vitally different connotation from words such as dwell or inhabit, with their literary implication of a more passive form of occupation and acceptance. The concept of an architectural encounter has particular resonance with the recent refurbishment of the Muniment Room at the University of Sydney by Catherine Lassen. It is a project that asks us to question and interrogate, rather than simply experience it. It insists we be active in seeking out its architectural nuance, as a neatly parcelled and simplified historical essay is deliberately withheld from us. The Muniment Room occupies the most important formal axis of the Main Quadrangle at the University of Sydney. Located in the clock tower, beneath the carillon, it is now a fitting home for an international research centre dedicated to the philosophy of time.
机译:芬兰建筑评论家Juhani Pallasmaa使用“相遇”一词来形容人类对建筑的参与。它是术语的决定性使用。碰到架构意味着人们已经准备好提出质疑并做出反应。它的寓意与寓言或居住等词语有着微妙但极为不同的含义,其文学含义是一种更为消极的占领和接受形式。与建筑相遇的概念与凯瑟琳·拉森(Catherine Lassen)最近对悉尼大学(University of Sydney)的Muniment Room进行的翻新特别共鸣。这个项目要求我们提问和审问,而不是简单地体验它。它坚持认为我们要积极寻找其建筑细微差别,因为我们故意保留了整整齐齐,简化的历史文章。博物馆室占据了悉尼大学Main Quadrangle最重要的形式轴。它位于钟琴下方的钟楼,现在是致力于时间哲学的国际研究中心的合适之家。

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