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The Venice Biennale, 12th International Architecture Exhibition

机译:威尼斯双年展,第十二届国际建筑展

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John Milton is most lauded for the publication of Paradise Lost in 1667, and yet the English poet deserves not a little credit for coining the word 'sensuous'. As a derivation of the sexually suggestive 'sensual', his creation describes being alive to sensations (especially in an aesthetic way] but cleansed of any carnal connotations. Several centuries later, the 2010 architecture biennale in Venice justifies and renews its invention. For although vitally stimulating almost all the senses, after a comprehensive perambulation the only body parts possibly heading towards tumescence are your feet.
机译:约翰·弥尔顿(John Milton)在1667年出版的《失落的天堂》(Paradise Lost)方面广受赞誉,然而,这位英国诗人因创造“感性”一词而获得了应有的荣誉。作为具有性暗示的“感官”的派生,他的创作描述了还活着的感觉(尤其是以美学的方式),但清除了任何肉体的涵义。几个世纪后,2010年威尼斯建筑双年展证明并更新了其发明。经过全面的安抚之后,几乎所有的感觉都得到了极大地刺激。

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