CENTRE POMPIDOU-METZ

摘要

'Centre Pompidou is the only public monument the 70s have produced,' pronounced Reyner Banham in these pages shortly after the Paris venue's opening (AR May 1977). And despite the emphasis on adaptability - with the infamously exposed servicing creating (theoretically, at least) infinitely reconfigurable floorplates - he presciently predicted that whatever modifications occurred, its monumentality would remain fixed until the 'century's end'.