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Rem Koolhaas needs to get back to the fundamentals

机译:雷姆·库哈斯(Rem Koolhaas)需要回归基本面

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The parties are over, the prizes awarded, Peter Eisenman has declared it to be the end of architecture ... Is there anything left to say about the Rem Koolhaas Venice Biennale? Most critics have already weighed in. The 'Fundamentals' theme has drawn mixed responses, especially Koolhaas's effort to return architecture to its Mements (Floor, Stair, Door, Toilet, etc) in a dedicated exhibition in the Giardini's Central Pavilion. Some hail Elements as inventive; others dismiss it as pedestrian, even atavistic. In the hubbub over content, however, less attention has been paid to another notable aspect of Elements: the way it has been put together.
机译:派对结束了,奖品被授予,彼得·艾森曼(Peter Eisenman)宣布这将是建筑的终结。大多数批评家已经对此表示怀疑。“基本原理”主题引起了不同的反响,尤其是库哈斯在贾第尼(Giardini)中央展馆的一次专门展览中努力使建筑恢复其瞬间(地板,楼梯,门,厕所等)。一些冰雹元素具有创造力;其他人则视其为行人,甚至是粗俗的人。但是,在对内容的争论中,人们对元素的另一个显着方面的关注减少了:将元素组合在一起的方式。

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