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Conservative measures

机译:保守措施

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Architect Adam Yarinsky of Architecture Research Office (ARO) thinks experiencing Donald Judd's art can help architecture make a more vital connection to contemporary life. It is this conviction that made the design-led practice want to take on a restoration. Writing about one of Judd's large-scale works, Yarinsky says: '...it was not an object to which I reacted, but rather an instigator of a new reciprocal relationship between itself and me'. Similarly 101 Spring Street intuitively gives every visitor a heightened sense of spatial awareness. Yarinsky has also discovered (from Judd's bookcase) that he and Judd shared an interest in Adolf Loos, particularly in the complex interlocking of spaces. I buy his argument that 101 Spring Street is not primarily a historic building, but essentially a very large work of art, of profound relevance to architecture.
机译:建筑研究办公室(ARO)的建筑师Adam Yarinsky认为,体验唐纳德·贾德(Donald Judd)的艺术可以帮助建筑与现代生活建立更重要的联系。正是这种信念使以设计为主导的实践想要进行修复。雅林斯基在谈到贾德的一部大型作品时说:“ ...这不是我的反应对象,而是我与我之间新的对等关系的倡导者”。同样,春天街101号直观地为每位访客提供了增强的空间意识。雅琳斯基还从贾德的书柜中发现,他和贾德对阿道夫·卢斯有共同的兴趣,特别是在复杂的空间联锁方面。我同意他的观点,即春街101号不是主要的历史建筑,而是本质上与建筑息息相关的大型艺术品。

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