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Making an entrance

机译:入口

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摘要

'We are living in especially difficult times', Diego Portas of Rio-based practice C+P asserts.'The ghost of the last dictatorship is repeatedly named.' A familiar pall hangs in the air at the mention of political prospects for this generation of architects. Economic and political crisis has caused a regression of policies instated during redemocratisation, intended to mitigate the radical inequalities that beset the region - this has now evolved into what Pedro Varella of Gru.a calls a 'hunt of the cultural', referring to the targeted defunding of cultural institutions. The sparse state projects that do exist are chosen through bid proposals: a threat to civic, social and aesthetic virtues is posed on the one hand, as values of expediency and economy are held supreme; on the other, the drought mandates a proliferation of practical tactics, means of survival in a hostile environment.
机译:“我们生活在特别困难时期”,基于RIO的实践C + P断言的迭戈塔拉斯。最后一个独裁者的幽灵一再被命名。一个熟悉的壁巴在提及这一代建筑师的政治前景下悬挂在空中。经济和政治危机导致重新分区期间的政策回归,旨在减轻该地区的激进不平等 - 现在已经演变为Gru.a称之为“狩猎文化”,指的是目标诽谤文化机构。通过投标建议选择存在的稀疏状态项目:对公民,社会和审美美德的威胁是在一方面提出的,因为权宜之计和经济价值观是至高无上的;另一方面,干旱强制了实际策略的扩散,敌对环境中存活手段。

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