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The intelligence of the diagram

机译:图的智能

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The potentials of architectural diagrams have been addressed before in arq, notably in issue 16.1 (2012). The 'Leader' to that issue recalled traditions of the diagram in architectural culture. Diagramming was famously employed as an analytical tool by J. N. L. Durand in the nineteenth century and by the likes of Colin Rowe in the twentieth. Early modernists understood diagrams as a way to move discussions of architecture into the realm of formal organisation away from the decoration of surfaces. A later generation associated diagrams with objectivity in the 1950s and 1960s, with the refinement of building types as archetypes. More recently, firms like SANAA, MVRDV, and Herzog & deMeuron have stressed the importance of diagrams in their design processes, understanding a clear diagram for a project as a tool for clarifying an architectural idea and for sticking to it through the demanding processes of procurement and construction. Papers in this arq return to the theme of the diagram.
机译:以前在arq中已解决了架构图的潜力,尤其是在版本16.1(2012)中。该问题的“领导者”回顾了建筑文化中图表的传统。 19世纪,J。N. L. Durand以及20世纪20年代的Colin Rowe等人都将图表作为分析工具。早期的现代主义者将图表理解为一种将建筑讨论从表面装饰转移到正式组织领域的方式。下一代在1950年代和1960年代以客观性关联了图,并以建筑类型作为原型进行了改进。最近,SANAA,MVRDV和Herzog&deMeuron等公司强调了图在其设计过程中的重要性,将项目的清晰图理解为阐明架构思想并在苛刻的采购过程中坚持使用的工具和建设。此arq中的论文返回到图表的主题。

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