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Louis I. Kahn and Richard Kelly: collaborative design in creation of the luminous environment

机译:Louis I. Kahn和Richard Kelly:创造发光环境的协同设计

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摘要

As one of the most prominent architects of the twentieth century, Louis I. Kahn aspired to use natural light to shape his architecture. The lighting designer Richard Kelly, one of his close collaborators, had significant influence on modern architectural lighting design in the twentieth century. Kahn and Kelly designed the luminous environments in three art-gallery and museum buildings. The Yale University Art Gallery, the Kimbell Art Museum and the Yale Center for British Art. Collaboration between the architect and the lighting designer resulted in well-resolved lighting solutions. This research investigated the collaboration between Louis I. Kahn and Richard Kelly from both theoretical and pragmatic perspectives. In terms of the theoretical perspective, a detailed overview of their collaborative work is provided through literature review. In terms of the pragmatic perspective, the background of their cooperation and the technical details are presented. In addition, daylighting performance analysis of these three buildings through digital modelling was undertaken. This study found that the lighting design solutions produced together by Louis I. Kahn and Richard Kelly, especially the way of using daylight, have had significant impact on architectural space and the luminous environment. More importantly, this kind of collaborative working method could provide a useful reference and guidance for contemporary architecture and lighting design.
机译:作为20世纪最杰出的建筑师之一,路易斯·卡恩(Louis I. Kahn)渴望使用自然光来塑造他的建筑。照明设计师Richard Kelly是他的紧密合作者之一,在20世纪对现代建筑照明设计产生了重大影响。卡恩(Kahn)和凯利(Kelly)在三座美术馆和博物馆建筑中设计了发光环境。耶鲁大学美术馆,金贝尔美术馆和耶鲁英国艺术中心。建筑师和照明设计师之间的合作导致了解决问题的照明解决方案。这项研究从理论和务实的角度研究了路易斯·卡恩和理查德·凯利之间的合作。从理论的角度来看,通过文献综述提供了他们的合作工作的详细概述。从务实的角度介绍了合作背景和技术细节。此外,还通过数字建模对这三座建筑物的采光性能进行了分析。这项研究发现,路易斯·卡恩(Louis I. Kahn)和理查德·凯利(Richard Kelly)共同开发的照明设计解决方案,尤其是日光的使用方式,对建筑空间和发光环境产生了重大影响。更重要的是,这种协作工作方法可以为当代建筑和照明设计提供有用的参考和指导。

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