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Noz Nozawa

机译:Z.

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摘要

"Life is more beautiful and more livable when nothing is perfect," says Nozawa, who founded her firm, Noz Design, in 2014. "I like deliberate imperfection, deliberate asymmetry, and messing things up a bit." Thus the marketing manager turned interior designer takes clients' homes and shakes them up, placing a mod cocktail table artfully off-center in one client's living room or commissioning an artist to thickly apply gold liquid resin to a Bay Area parlor's rust-orange walls and let gravity take its course. (She is pictured in her own home.) Non-Western design traditions are an aesthetic constant. Communal heated kotatsu tables that Nozawa has seen on trips to her ancestral Japan (her family emigrated to California in the 1890s) are echoed in groovy conversation pits, while West African and East African objects and artifacts are infiltrating her eclectic vocabulary too. "I'm a huge nerd," the designer says. "I hope I'm always bewildered by something."
机译:“没有什么是完美的,”生活更加美丽,更居住,“Nozawa说,他们在2014年创立了NOZ设计。”我喜欢故意的瑕疵,故意不对称,并弄乱一些东西。“因此,营销经理转向室内设计师将客户的家园带走并摇晃它们,将Mod Cocktail桌放在一个客户的起居室或调试艺术家将金液液体树脂浓缩到湾区客厅的生锈橙色墙壁上让重力走向课程。 (她在她自己的家里被描绘了。)非西方设计传统是一种美学常数。 Nozawa在祖先日本(1890年代的祖传日本(她的家人移居的祖先)上看的公共加热Kotatsu桌子在Groovy谈话坑中回荡,而西非和东非物品和文物也渗透了她的折衷主义词汇。 “我是一个巨大的书呆子,”设计师说。 “我希望我总是被某种东西困惑。”

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