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re-radicalising post-modernism

机译:重新激荡后现代主义

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On the top of the old people's home, taking the place traditionally occupied by a religious statue, the golden, overscaled TV aerial makes a statement about electronic communication and physical space. The super-sizing and material coding of this piece of broadcast infrastructure is both functional and symbolic. Just as Chuck Berry had sung about radio in a secular musical form derived from religious origins, the Guild House aerial can be read as an acknowledgement of the complex relationship between architecture and the buzz of communicational networks. More specifically, it asks us about the relationship of architecture to media.
机译:在老人家的顶楼,取代了传统上由宗教雕像占据的地方,金色,超大尺寸的电视天线发表了有关电子通信和物理空间的声明。这部分广播基础结构的超大小和材料编码既是功能性的又是符号性的。就像查克·贝瑞(Chuck Berry)以一种源自宗教的世俗音乐形式演唱广播一样,公会大厦的天线也可以理解为对建筑与通信网络之间复杂关系的认可。更具体地说,它向我们询问了架构与媒体的关系。

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