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Since the evaporation of the Modernist project, space has been losing ground in architecture. Whereas 'space' as a term in the second half of the 20th century was constantly on the lips of every architect, echoing Le Corbusier, by the late 1990s and early 2000s it had receded. The onset of computer-aided generative design had led to new preoccupations with surface and parametricism. Space, though, did not wholly wane in the practice of architecture. It remained locked into the working methods and drafted plans of experienced architects, like Herman Hertzberger (pp 106-13), who projected spatial configurations that intuitively responded to users' needs. This issue not only effectively reasserts the position of 'space' in architecture in a highly current computational context, but reframes its significance in the realisation of work that is 'human-centric', or 'empathic'.
机译:自从现代主义项目蒸发以来,空间在建筑领域一直处于失地。在20世纪下半叶,“空间”一词一直在每个建筑师的耳中,与勒·柯布西耶相呼应,到1990年代末和2000年代初,它逐渐消退。计算机辅助生成设计的出现导致人们对表面和参数化产生了新的关注。但是,空间在建筑实践中并未完全消失。它始终锁定于经验丰富的建筑师(例如Herman Hertzberger(pp 106-13))的工作方法和起草计划中,他们设计出可以直观地响应用户需求的空间配置。这个问题不仅在当前的计算环境中有效地重新确立了“空间”在建筑中的地位,而且在实现“以人为中心”或“善解人意”的工作中重塑了其重要性。

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