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Baskets & Architecture

机译:篮子与建筑

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For the past decade, our design practice ArandaLasch has been experimenting with the making of baskets as a way to blend traditional Native American craft with procedural design. What has resulted has both deepened our engagement with rule-based techniques and also informed our understanding of how to locate them within a larger cultural context. The explorations began with the observation that weaving is at its core an algorithmic process; one that builds form through action, developing material in discrete steps to eventually create a complex cultural artefact. The parallels with contemporary architectural design are unmistakable. In 2006 we collaborated with Native American weaver Terrol Dew Johnson to explore this unexpected shared foundation between our two practices and made a series of baskets for an exhibition at the Artists Space gallery in New York called 'Baskets: Rules of Exchange'. This collaboration continued piecemeal until 2016 when we redoubled our efforts in our 'Meeting the Clouds Halfway' show at the Museum of Contemporary Art (MOCA) in Tucson, Arizona.
机译:在过去的十年中,我们的设计实践ArandaLasch一直在尝试制作篮子,以将传统的美国原住民工艺与程序设计融合在一起。由此产生的结果既加深了我们对基于规则的技术的参与,也使我们了解了如何在更大的文化环境中找到它们。探索始于观察到编织是算法过程的核心。通过行动建立形式,以离散的步骤开发材料,最终创造出复杂的文化人工制品。与当代建筑设计的相似之处是显而易见的。 2006年,我们与美国原住民织布工Terrol Dew Johnson合作,探索了这两种实践之间这种意想不到的共同基础,并为纽约艺术家空间画廊举办的名为“篮子:交换规则”的展览制作了一系列篮子。这项合作一直持续到2016年,直到我们在亚利桑那州图森市当代艺术博物馆(MOCA)的“半途而遇”展览中加倍努力。

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