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The tourist plot: Antarctica and the modernity of nature

机译:旅游区:南极洲与自然的现代性

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The work explores contemporary Antarctic tourism practices through the lens of the dramaturgic concept of 'plot'. Plot refers to a socially construed narrative structure that allows social actors to frame their participation in social life through socially held scenarios, stories and cosmologies. Drawing on fieldwork carried out in the Argentinian harbor town of Ushuaia, the authors demonstrate that Antarctic tourists, despite the variety of their experiences, existences and travel motifs, follow, to a very large degree, the same 'plot'. This leads them through a dialectical journey, departing from a 'modern' life-world of home towards and beyond the presumed boundaries of 'civilization', to become immersed in a magical, weird, and wonderful ur-nature found in the White continent, and then back home. The authors argue that this plot, through its specific dramaturgic configuration and settings, pulls to the surface a wider ontological and cosmological order underly-ing modern tourism and social life at large.
机译:该作品通过戏剧性的“情节”概念来探索当代南极旅游实践。情节是指一种社会解释性的叙事结构,它使社会行为者可以通过社会持有的场景,故事和宇宙论来构筑他们对社会生活的参与。作者利用在阿根廷港口小镇乌斯怀亚进行的实地考察,证明了南极游客尽管经历,生活和旅行方式各异,但在很大程度上遵循了相同的“情节”。这使他们经历了一次辩证性的旅程,从“现代”家庭生活世界出发,超越并超越了“文明”的假定界限,沉浸在白色大陆上神奇,古怪而美妙的大自然中,然后回到家。作者认为,这种情节通过其特定的戏剧性配置和设置,使整个现代旅游业和整个社会生活成为更广泛的本体论和宇宙论秩序的表面。

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