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Beyond the construction of crises: the voice of an ordinary Zimbabwean

机译:超越危机的构造:普通津巴布韦人的声音

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This issue of the African Identities journal is devoted to understanding the Zimbabwean crises, and many more books on the crisis tend to rightfully focus on secure institutional sites such as the economy, governance, politics, culture and human rights. While these have received a fair amount of attention, what has not been explored is how resilient ordinary Zimbabweans are surviving and leading successful and fulfilling lives. This reorientation of focus does not belittle the fervent and highly engaging critiques of the crises. But when voices of people who bear the burden of the crises are not captured, the danger is that writing about the crises may lose some of its richness and usefulness. In this article I make the modest implication that research needs to redirect itself towards the local and explore the experience of those worst affected by such crises who display not only survival but also success and fulfilment. To this end I interview a Zimbabwean artist, himself an ordinary as well as a not-so-ordinary person, in the sense in which the word is used in Marxist circles to refer to being part of the masses. The focus of this paper is to report on the hands-on efforts I have witnessed in this artist's (Albert Chimedza's) contribution to the Mbira Centre in Harare. There are many like Chimedza, living the crisis who are not always involved in ‘land politics’ or governance politics'. These are some of the voices that organize themselves outside the constant and corrosive, gnawing quarrels of the state, which is responsible for the crises, or the ethereal critiques of scholarly works attempting to describe the crises, in the arena of the local and the ordinary. I argue that what is now needed in Zimbabwe is less describing of the facets of the crises and more engagement with how some resilient Zimbabweans themselves are successfully addressing the effects of the crisis and living in a way that we can all learn from.View full textDownload full textKeywordsZimbabwean crises, Albert Chimedza, Gonanombe Mbira Centre, Mbira Centre, mbira, ordinary voicesRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14725841003629708
机译:本期《非洲身份》杂志致力于了解津巴布韦的危机,并且更多有关危机的书籍倾向于正确地关注安全的机构场所,例如经济,治理,政治,文化和人权。尽管这些问题引起了相当多的关注,但尚未探索的是普通津巴布韦人如何有韧性地生存并过着成功而充实的生活。焦点的这种重新定位不会削弱对危机的热情和高度参与的批评。但是,如果没有抓住承担危机负担的人们的声音,危险就是写有关危机的文章可能会失去其丰富性和实用性。在本文中,我提出一个适度的含义,即研究需要将自己重定向到本地,并探索受此类危机影响最严重的人的经验,这些危机不仅表现出生存能力,还表现出成功和成就感。为此,我采访了一位津巴布韦的艺术家,他本人是普通人,也不是普通人,在这个意义上说,马克思主义圈子里的用语是指成为群众的一部分。本文的重点是报告我在这位艺术家(阿尔伯特·奇梅扎(Albert Chimedza))对哈拉雷的姆比拉中心所做的贡献中亲身经历的努力。有许多像Chimedza这样的人,身处危机之中,他们并不总是卷入“土地政治”或治理政治中。这些声音是在不断的,腐蚀性的,的国家争吵之外组织起来的,这些争吵是造成危机的原因,或者是对试图描述危机的学术作品进行空洞的批评的地方和普通领域。我认为津巴布韦现在所需要的是减少对危机各个方面的描述,而更多地参与一些有韧性的津巴布韦人本身如何成功应对危机的影响并以我们都可以借鉴的方式生活。查看全文下载全文关键字:津巴布韦的危机,阿尔伯特·奇梅扎(Albert Chimedza),戈南诺贝·姆比拉中心(Gonanombe Mbira Centre),姆比拉中心(Mbira Centre),姆比拉(mbira),普通声音digg,google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14725841003629708

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