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Diaspora connections and discontinuities: the photography of Chester Higgins

机译:散居的联系和不连续性:切斯特·希金斯的摄影

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摘要

Renowned photographer, Chester Higgins, has captured in the sensitivities of people, interesting places, and fleeting moments in his art; and his creative canvas spans the world; it challenges and provokes but also offers solace in time of need. His work, when viewed by different people and different societal groupings, delivers new and often unexpected meanings. Although his photographs are difficult to categorize because absolute distinctions are constantly undermined by the viewer's horizons of expectations and values that are brought to the viewing situation, Higgins has slotted some of his photographic images into sections described as 'politics', 'writers', 'religion', and 'social life'. In this short essay an attempt is made to view some selected pieces and come up with innovative meanings. Since the unifying theme in the photography is that of Africans in the diaspora, a few pieces are sampled from each section.
机译:著名的摄影师切斯特·希金斯(Chester Higgins)捕捉了人们的敏感性,有趣的地方以及他的作品中短暂的瞬间。他的创作画布遍布世界;它带来挑战和挑衅,但也能在需要时提供安慰。当被不同的人和不同的社会团体看时,他的作品具有新的含义,而且往往是意想不到的。尽管由于观看者对观赏环境的期望和价值观念的不断破坏,绝对的区别很难对他的照片进行分类,但希金斯将他的某些摄影图像分为“政治”,“作家”,“宗教”和“社交生活”。在这篇短文中,尝试查看一些选定的作品并提出创新的含义。由于摄影中的统一主题是侨民中的非洲人,因此从每个部分中抽取了几件作品。

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