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Song variation of the South Eastern Indian Ocean pygmy blue whale population in the Perth Canyon, Western Australia

机译:西澳大利亚珀斯峡谷的东南印度洋侏儒蓝鲸种群的歌曲变异

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摘要

Sea noise collected over 2003 to 2017 from the Perth Canyon, Western Australia was analysed for variation in the South Eastern Indian Ocean pygmy blue whale song structure. The primary song-types were: P3, a three unit phrase (I, II and III) repeated with an inter-song interval (ISI) of 170–194 s; P2, a phrase consisting of only units II & III repeated every 84–96 s; and P1 with a phrase consisting of only unit II repeated every 45–49 s. The different ISI values were approximate multiples of each other within a season. When comparing data from each season, across seasons, the ISI value for each song increased significantly through time (all fits had p << 0.001), at 0.30 s/Year (95%CI 0.217–0.383), 0.8 s/Year (95%CI 0.655–1.025) and 1.73 s/Year (95%CI 1.264–2.196) for the P1, P2 and P3 songs respectively. The proportions of each song-type averaged at 21.5, 24.2 and 56% for P1, P2 and P3 occurrence respectively and these ratios could vary by up to ± 8% (95% CI) amongst years. On some occasions animals changed the P3 ISI to be significantly shorter (120–160 s) or longer (220–280 s). Hybrid song patterns occurred where animals combined multiple phrase types into a repeated song. In recent years whales introduced further complexity by splitting song units. This variability of song-type and proportions implies abundance measure for this whale sub population based on song detection needs to factor in trends in song variability to make data comparable between seasons. Further, such variability in song production by a sub population of pygmy blue whales raises questions as to the stability of the song types that are used to delineate populations. The high level of song variability may be driven by an increasing number of background whale callers creating ‘noise’ and so forcing animals to alter song in order to ‘stand out’ amongst the crowd.
机译:分析了2003年至2017年从西澳大利亚州珀斯峡谷收集到的海噪声,以分析东南印度洋侏儒蓝鲸歌曲结构的变化。主要的歌曲类型是:P3,三个单元短语(I,II和III),重复间隔170-194 s(ISI); P2,仅由II和III单元组成的短语,每84-96 s重复一次;和P1,其短语仅由单元II组成,每45-49 s重复一次。一个季节内,不同的ISI值是彼此的近似倍数。当比较每个季节的数据时,跨季节,每首歌曲的ISI值随时间显着增加(所有拟合的p <0.001),分别为0.30 s /年(95%CI 0.217-0.383),0.8 s /年(95对于P1,P2和P3歌曲,分别为%CI 0.655–1.025)和1.73 s /年(95%CI 1.264–2.196)。在P1,P2和P3出现时,每种歌曲类型的比例平均分别为21.5、24.2和56%,并且这些比例在不同年份之间的变化幅度最大为±8%(95%CI)。在某些情况下,动物将P3 ISI更改为明显更短(120-160 s)或更长(220-280 s)。动物将多种短语类型组合成一首重复的歌曲时,就会出现混合歌曲模式。近年来,鲸鱼通过拆分歌曲单元进一步引入了复杂性。歌曲类型和比例的这种可变性意味着基于歌曲检测的鲸类亚群的丰度测量需要考虑歌曲可变性的趋势,以使季节之间的数据具有可比性。此外,侏儒蓝鲸的亚种群在歌曲产生中的这种可变性引起了关于用于描绘种群的歌曲类型的稳定性的问题。较高的歌曲可变性可能是由于越来越多的背景鲸鱼发出“噪音”,从而迫使动物改变歌曲以在人群中“脱颖而出”。

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