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Reference Frames and 3-D Shape Perception of Pictured Objects: On Verticality and Viewpoint-From-Above

机译:被摄对象的参考框架和3D形状感知:垂直度和上方视角

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摘要

Research on the influence of reference frames has generally focused on visual phenomena such as the oblique effect, the subjective visual vertical, the perceptual upright, and ambiguous figures. Another line of research concerns mental rotation studies in which participants had to discriminate between familiar or previously seen 2-D figures or pictures of 3-D objects and their rotated versions. In the present study, we disentangled the influence of the environmental and the viewer-centered reference frame, as classically done, by comparing the performances obtained in various picture and participant orientations. However, this time, the performance is the pictorial relief: the probed 3-D shape percept of the depicted object reconstructed from the local attitude settings of the participant. Comparisons between the pictorial reliefs based on different picture and participant orientations led to two major findings. First, in general, the pictorial reliefs were highly similar if the orientation of the depicted object was vertical with regard to the environmental or the viewer-centered reference frame. Second, a viewpoint-from-above interpretation could almost completely account for the shears occurring between the pictorial reliefs. More specifically, the shears could largely be considered as combinations of slants generated from the viewpoint-from-above, which was determined by the environmental as well as by the viewer-centered reference frame.
机译:对参考框架影响的研究通常集中在视觉现象上,例如倾斜效果,主观视觉垂直,感知直立和模棱两可的人物。另一项研究涉及心理旋转研究,其中参与者必须区分熟悉的或以前见过的2D图形或3D对象的图片及其旋转版本。在本研究中,通过比较在各种图片和参与者方向上获得的性能,我们像传统上所做的那样,理清了环境和以观众为中心的参考系的影响。但是,这次的表现是图形上的浮雕:从参与者的局部姿势设置中重建的所描绘对象的探测到的3D形状感知。根据不同图片和参与者的取向对图片浮雕的比较得出了两个主要发现。首先,一般而言,如果所描绘物体的方向相对于环境或以观察者为中心的参考框垂直,则绘画浮雕非常相似。其次,从上方的观点的解释几乎可以完全解释图片浮雕之间发生的剪力。更具体地,剪切可以很大程度上被认为是从上方的视点产生的倾斜的组合,其由环境以及以观察者为中心的参考系确定。

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