首页> 美国卫生研究院文献>Vision >Multiple Photographs of a Perspective Scene Reveal the Principles of Picture Perception
【2h】

Multiple Photographs of a Perspective Scene Reveal the Principles of Picture Perception

机译:透视场景的多张照片揭示了图片感知的原理

代理获取
本网站仅为用户提供外文OA文献查询和代理获取服务,本网站没有原文。下单后我们将采用程序或人工为您竭诚获取高质量的原文,但由于OA文献来源多样且变更频繁,仍可能出现获取不到、文献不完整或与标题不符等情况,如果获取不到我们将提供退款服务。请知悉。

摘要

A picture is a powerful and convenient medium for inducing the illusion that one perceives a three-dimensional scene. The relative invariance of picture perception across viewing positions has aroused the interest of painters, photographers, and visual scientists. This study explores variables that may underlie the invariance. It presents a computational analysis of distances and directions in sets of two photographs of perspective scenes taken from different camera positions. Focal lengths of the lens and picture sizes are chosen such that the sizes of one of the familiar objects are equally large in both photographs. The selected object is perceived at the same distance in both photographs, independent of viewing distance, showing that pictorial distance is fully determined by angular size of the object. Pictorial distance is independent of camera position, focal length of the lens, and picture size. Distances and directions of pictorial objects are computed as a function of viewing distance, and compared with distances and directions of the physical objects as a function of camera position. The computations show that ratios between pictorial distances, directions, and angular sizes of objects in a photograph are constant, as a function of viewing distance. The constant ratios are proposed as the reason for invariance of picture perception over a range of viewing distances. Reanalysis of distance judgments obtained from the literature shows that perspective space, previously proposed as the model for visual space, is also a good model for pictorial space. The geometry of pictorial space contradicts some conceptions about picture perception.
机译:图片是一种强大而便捷的媒体,可用来引发人们感知三维场景的错觉。图片在不同观看位置上的相对不变性引起了画家,摄影师和视觉科学家的兴趣。这项研究探讨了可能成为不变性基础的变量。它提供了从不同相机位置拍摄的两张透视场景照片中的距离和方向的计算分析。选择镜头的焦距和照片尺寸,以使两张照片中熟悉的物体之一的尺寸都相等。所选择的对象在两张照片中的感知距离相同,而与观看距离无关,这表明绘画距离完全取决于对象的角度大小。图像距离与相机位置,镜头焦距和图像尺寸无关。根据观看距离来计算图片对象的距离和方向,并根据相机位置将其与物理对象的距离和方向进行比较。计算表明,照片距离,方向和照片中对象的角度大小之间的比率是恒定的,取决于观看距离。提出恒定比率作为在观看距离范围内图像感知不变的原因。从文献中获得的距离判断的重新分析表明,先前提出的用于视觉空间模型的透视空间也是用于绘画空间的良好模型。图片空间的几何形状与图片感知的某些概念相矛盾。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
代理获取

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号