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Causes and Consequences of Schadenfreude and Sympathy: A Developmental Analysis

机译:Schadenfreude和同情的成因和后果:发展分析

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摘要

Moral judgments and moral emotions are a ubiquitous feature of social interactions. Humans decide quickly and intuitively whether an action is morally right or wrong. Schadenfreude and sympathy, as emotional reactions to the misfortunes of others, are prototypical moral emotions. So far, however, little evidence exists concerning children’s understanding of schadenfreude. Within three studies, we investigated the experience of schadenfreude and sympathy among N = 364 children of different age groups. We interviewed the children while showing them picture stories. In the picture stories, we varied the behavior of the protagonist prior to a misfortune: (1) whether his behavior had been morally right or wrong, (2) whether the protagonist attained his goal, (3) whether the protagonist was responsible for the misfortune. In addition, in one study we varied (4) the emotional relationship of the interviewed children to the protagonist. Furthermore, we asked the children to decide whether they want to sit next to the protagonist or do him a favor. Results show that children experience sympathy as well as schadenfreude at the age of 4 years. Sympathy is more likely to arise when the protagonists of a story are likable, when these actors typically pursue morally positive goals, and if they are not responsible for their misfortune. In contrast, schadenfreude is more likely when the protagonist is disliked, when actors pursue immoral goals and if they are responsible for their misfortune. In addition, sympathy increases approach (helping behavior, sitting next to the agent and doing favors), whereas schadenfreude increases avoidance tendencies.
机译:道德判断和道德情感是社会互动的普遍特征。人类可以迅速而直观地决定一项行为在道德上是对还是错。沙登弗洛伊德和同情作为对他人不幸的情感反应,是典型的道德情感。但是,到目前为止,关于儿童对幸灾乐祸的理解的证据很少。在三项研究中,我们调查了N = 364个不同年龄组儿童中幸灾乐祸和同情的经历。我们在向孩子们展示故事的同时采访了他们。在这些故事中,我们改变了主角在不幸之前的行为:(1)他的行为在道义上是对还是错,(2)主角是否达到了目标,(3)主角是否对行为负责不幸。此外,在一项研究中,我们改变了(4)受访儿童与主角之间的情感关系。此外,我们要求孩子们决定是要坐在主角旁边还是帮他一个忙。结果表明,儿童在4岁时会遇到同情和幸灾乐祸。当故事的主人公讨人喜欢时,当这些演员通常追求道德上积极的目标,并且他们对自己的不幸不负责任时,同情更有可能出现。相反,当不喜欢主角,演员追求不道德的目标并且对自己的不幸负责时,幸灾乐祸的可能性更大。另外,同情增加了方法(帮助行为,坐在代理旁边并帮忙),而幸灾乐祸则增加了回避倾向。

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