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Emotional Connotations of Musical Instrument Timbre in Comparison With Emotional Speech Prosody: Evidence From Acoustics and Event-Related Potentials

机译:与情感言语韵律相比乐器音色的情感内涵:来自声学和与事件相关的电位的证据

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摘要

Music and speech both communicate emotional meanings in addition to their domain-specific contents. But it is not clear whether and how the two kinds of emotional meanings are linked. The present study is focused on exploring the emotional connotations of musical timbre of isolated instrument sounds through the perspective of emotional speech prosody. The stimuli were isolated instrument sounds and emotional speech prosody categorized by listeners into anger, happiness and sadness, respectively. We first analyzed the timbral features of the stimuli, which showed that relations between the three emotions were relatively consistent in those features for speech and music. The results further echo the size-code hypothesis in which different sound timbre indicates different body size projections. Then we conducted an ERP experiment using a priming paradigm with isolated instrument sounds as primes and emotional speech prosody as targets. The results showed that emotionally incongruent instrument-speech pairs triggered a larger N400 response than emotionally congruent pairs. Taken together, this is the first study to provide evidence that the timbre of simple and isolated musical instrument sounds can convey emotion in a way similar to emotional speech prosody.
机译:除了特定领域的内容外,音乐和语音还传达情感含义。但是尚不清楚两种情感含义是否以及如何关联。本研究的重点是从情感言语韵律的角度探讨孤立乐器声音的音色的情感内涵。刺激是孤立的乐器声音和情感言语韵律,听众将其分为愤怒,幸福和悲伤。我们首先分析了刺激的音色特征,这表明三种情感之间的关系在语音和音乐特征中相对一致。结果进一步呼应了尺寸码假说,其中不同的音色表示不同的身材投射。然后,我们使用启动范例将孤立的乐器声音作为初始,情感言语韵律作为目标,进行了ERP实验。结果表明,情绪不一致的乐器-语音对触发的N400响应比情绪一致的对更大。两者合计,这是第一个提供证据证明简单而孤立的乐器声音的音色可以类似于情感语音韵律的方式传达情感的证据。

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