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Enhancement of Neuroplastic P2 and N1c Auditory Evoked Potentials in Musicians

机译:增强神经塑性P2和N1c听觉诱发音乐家的潜力

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摘要

P2 and N1c components of the auditory evoked potential (AEP) have been shown to be sensitive to remodeling of the auditory cortex by training at pitch discrimination in nonmusician subjects. Here, we investigated whether these neuroplastic components of the AEP are enhanced in musicians in accordance with their musical training histories. Highly skilled violinists and pianists and nonmusician controls listened under conditions of passive attention to violin tones, piano tones, and pure tones matched in fundamental frequency to the musical tones. Compared with nonmusician controls, both musician groups evidenced larger N1c (latency, 138 msec) and P2 (latency, 185 msec) responses to the three types of tonal stimuli. As in training studies with nonmusicians, N1c enhancement was expressed preferentially in the right hemisphere, where auditory neurons may be specialized for processing of spectral pitch. Equivalent current dipoles fitted to the N1c and P2 field patterns localized to spatially differentiable regions of the secondary auditory cortex, in agreement with previous findings. These results suggest that the tuning properties of neurons are modified in distributed regions of the auditory cortex in accordance with the acoustic training history (musical- or laboratory-based) of the subject. Enhanced P2 and N1c responses in musicians need not be considered genetic or prenatal markers for musical skill.
机译:听觉诱发电位(AEP)的P2和N1c成分已被证明通过在非音乐人受试者中进行音高辨别训练对听觉皮层的重塑敏感。在这里,我们调查了音乐人的音乐训练历史是否能增强AEP的这些神经可塑性成分。在被动注意小提琴音调,钢琴音调和基本音调与音乐音调相匹配的纯音调的条件下,熟练的小提琴手和钢琴演奏家以及非音乐人的控件会进行聆听。与非音乐人控制相比,两个音乐人团体都对三种类型的音调刺激表现出更大的N1c(潜伏时间,138毫秒)和P2(潜伏时间,185毫秒)。如在与非音乐家的训练研究中一样,N1c增强优先在右半球表达,其中听神经元可能专门用于处理频谱音高。与以前的发现一致,适合于N1c和P2场模式的等效电流偶极子位于次听觉皮层的空间可区分区域。这些结果表明,根据受试者的声音训练历史(基于音乐或实验室),在听觉皮层的分布区域中神经元的调节特性会发生变化。音乐家中增强的P2和N1c反应不必视为音乐技能的遗传或产前标记。

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