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Sensing Landscape History with an Interactive Location Based Service

机译:通过基于位置的交互式服务感知景观历史

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摘要

This paper introduces the STEAD approach for interpreting data acquired by a “human sensor”, who uses an informal interactive location-based service (iLBS) to sense cultural-historic facts and anecdotes of, and in the landscape. This user-generated data is collected outdoors and in situ. The approach consists of four related facets (who, what, where, when). Three of the four facets are discussed and illustrated by user generated data collected during a Dutch survey in 2008. These data represent the personal cultural-historic knowledge and anecdotes of 150 people using a customized iLBS for experiencing the cultural history of a landscape. The “who” facet shows three dominant mentality groups (cosmopolitans, modern materialists and post modern hedonists) that generated user content. The “what” facet focuses on three subject types of pictures and four picture framing classes. Pictures of the place type showed to be dominant and foreground framing class was slightly favourite. The “where” facet is explored via density, distribution, and distance of the pictures made. The illustrations of the facets indirectly show the role of the “human sensor” with respect to the domain of interest. The STEAD approach needs further development of the when-facet and of the relations between the four facets. Finally the results of the approach may support data archives of iLBS applications.
机译:本文介绍了STEAD方法,用于解释由“人类传感器”获取的数据,该传感器使用非正式的基于位置的交互式交互式服务(iLBS)来感知文化历史事实和轶事,并在景观中进行。用户生成的这些数据是在户外和就地收集的。该方法包括四个相关方面(谁,什么,在哪里,何时)。用户在2008年的一次荷兰调查中收集了生成的数据,对这四个方面中的三个进行了讨论和说明。这些数据代表使用定制的iLBS体验景观文化历史的150人的个人文化历史知识和轶事。 “谁”方面显示了生成用户内容的三个主要心态群体(世界主义者,现代唯物主义者和后现代享乐主义者)。 “什么”方面着重于三种主题类型的图片和四种图片取景类。地点类型的图片显示为占主导地位,前景构架类则稍微偏爱。通过所拍摄图片的密度,分布和距离来探索“哪里”构面。这些方面的插图间接显示了“人类传感器”在关注领域中的作用。 STEAD方法需要进一步完善“何时”方面以及四个方面之间的关系。最终,该方法的结果可以支持iLBS应用程序的数据存档。

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