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The thinker: opposing directionality of lighting bias within sculptural artwork

机译:思想家:雕塑艺术品中照明偏向的相反方向

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摘要

Individuals tend to perceive the direction of light to come from above and slightly from the left; it has been speculated that this phenomenon is also producing similar lighting preferences within 2-dimensional artworks (e.g., paintings, advertisements). The purpose of the present study was to address if lighting bias was present in the 3-dimensional medium of sculpture by implementing a virtual art gallery lighting paradigm. Thirty-nine participants completed a computer task that consisted of 48 galleries each containing one sculpture (24 original sculptures, 24 mirror-reversed) which was surrounded by eight lights (above/below, left/right, front/back). Participants would select one light source to illuminate the sculpture in a manner they perceived to be the most aesthetically pleasing. The results indicated a significant preference for lights positioned from above and from the right, a finding that is contradictory to previous lighting bias research examining artworks. An interpretation for the rightward bias applies the perceptual concept of subjective lighting equality. Objects illuminated from the left typically appear brighter in comparison to right-side lighting; in sculpture, however, increased luminosity can reduce the sculptural detail, and may have been compensated via right-side lighting choices within the lighting task.
机译:个人倾向于感知光的方向是从上方来的,还是从左侧稍微来的;据推测,这种现象还在二维艺术品(例如绘画,广告)中产生类似的照明偏好。本研究的目的是通过实现虚拟美术馆照明范例来解决雕塑3维介质中是否存在照明偏差。三十九名参与者完成了一个计算机任务,该任务由48个画廊组成,每个画廊包含一个雕塑(24幅原始雕塑,24幅镜子反面),并由八盏灯(上方/下方,左侧/右侧,正面/背面)包围。参与者将选择一种光源,以他们认为最美观的方式照亮雕塑。结果表明,对于从上方和从右上方放置的灯光,存在很大的偏爱,这一发现与先前对艺术品的照明偏见研究相矛盾。对右偏的解释采用了主观照明平等的感知概念。与左侧照明相比,从左侧照明的物体通常看起来更亮;但是,在雕塑中,增加的光度会减少雕塑细节,并且可能已通过照明任务中的右侧照明选择进行了补偿。

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