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Functional role of delta and theta band oscillations for auditory feedback processing during vocal pitch motor control

机译:三角波和θ带振荡在声调电机控制过程中对听觉反馈处理的功能作用

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摘要

The answer to the question of how the brain incorporates sensory feedback and links it with motor function to achieve goal-directed movement during vocalization remains unclear. We investigated the mechanisms of voice pitch motor control by examining the spectro-temporal dynamics of EEG signals when non-musicians (NM), relative pitch (RP), and absolute pitch (AP) musicians maintained vocalizations of a vowel sound and received randomized ± 100 cents pitch-shift stimuli in their auditory feedback. We identified a phase-synchronized (evoked) fronto-central activation within the theta band (5–8 Hz) that temporally overlapped with compensatory vocal responses to pitch-shifted auditory feedback and was significantly stronger in RP and AP musicians compared with non-musicians. A second component involved a non-phase-synchronized (induced) frontal activation within the delta band (1–4 Hz) that emerged at approximately 1 s after the stimulus onset. The delta activation was significantly stronger in the NM compared with RP and AP groups and correlated with the pitch rebound error (PRE), indicating the degree to which subjects failed to re-adjust their voice pitch to baseline after the stimulus offset. We propose that the evoked theta is a neurophysiological marker of enhanced pitch processing in musicians and reflects mechanisms by which humans incorporate auditory feedback to control their voice pitch. We also suggest that the delta activation reflects adaptive neural processes by which vocal production errors are monitored and used to update the state of sensory-motor networks for driving subsequent vocal behaviors. This notion is corroborated by our findings showing that larger PREs were associated with greater delta band activity in the NM compared with RP and AP groups. These findings provide new insights into the neural mechanisms of auditory feedback processing for vocal pitch motor control.
机译:关于如何在发声过程中大脑如何整合感觉反馈并将其与运动功能联系起来以实现目标定向运动的问题的答案尚不清楚。当非音乐家(NM),相对音高(RP)和绝对音高(AP)的音乐家保持元音发声并收到随机±信号时,我们通过检查EEG信号的时空动态来研究音高运动控制的机制。他们的听觉反馈中有100美分的音高变化刺激。我们在θ带(5–8 Hz)内确定了一个相位同步(诱发)的额中中心激活,该激活在时间上与对音调变化的听觉反馈的补偿性声音反应重叠,并且与非音乐人相比,RP和AP音乐家的音质明显更强。第二个成分涉及在刺激发生后约1 s内出现的三角带(1-4 Hz)内的非相位同步(诱发)的额叶激活。与RP和AP组相比,NM中的delta激活明显更强,并且与音高反弹误差(PRE)相关,表明在刺激抵消后受试者无法将其音高重新调整到基线的程度。我们建议,诱发的theta是音乐家提高音调处理的神经生理学标记,反映了人类结合听觉反馈来控制其音高的机制。我们还建议,增量激活反映了自适应的神经过程,通过该过程可以监控语音产生错误并用于更新感觉运动网络的状态,以驱动后续的语音行为。我们的发现表明,与RP和AP组相比,NM中更大的PRE与更大的δ带活动有关,这一观点得到了证实。这些发现为声带运动控制的听觉反馈处理的神经机制提供了新的见解。

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