Karma Chameleon: Performative Acts, Gender Constitution, and the Second British Invasion

摘要

The aim is to examine the performative acts and gender constitution in the context of the Second British Invasion.Despite the pervasive character of patriarchy and the prevalence of sexual difference as an operative culturaldistinction, gender was not passively scripted on the bodies of many British singers. The subversive performancesdid not exclude suffering and marginalization but simultaneously undermined compulsory coherence.