首页> 中文期刊> 《浙江艺术职业学院学报》 >郑板桥书法之怪与清代考据之学∗

郑板桥书法之怪与清代考据之学∗

         

摘要

在中国书法史上,郑板桥因其一反常态的独特言论和书画风格而被世人称为“怪”,其最大的特点就是把各种书体有机地组合在一起而构成一件书法作品。对于这种现象的解读,如果放到思想史视野就能迎刃而解,即清代考据之学在郑板桥书法创作中的体现。%In the history of Chinese calligraphy, Zheng Banqiao is known as “odd” because of his unique opinion and his peculiar painting and calligraphy style. The most prominent characteristic of his art is to combine various kinds of calligraphy styles organically into one work. As to the interpretation of this phenomenon, it can be explained easily in the intellectual history field. That is the embodiment of the textology of the Qing dynasty in Zheng Banqiao’ s calligraphic creations.

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