As the real protagonist of the film Kikujiro No Natsu, Kikujiro underwent three major changes in the process of looking for Masao’s mother. In the hidden stage of human nature, Kikujiro sought self-protection by using abusive language and self-righteous action;In the discovery phase of the human nature, Kikujiro firstly faced up to his childhood trauma and his thought began to appear waves;In the regression phase of human nature, Kikujiro was completely relieved once the pain and reborn in the spirit, thereby to compensate and complete the process of growth which once missing but extremely important.%作为影片《菊次郎的夏天》中真正的主角,菊次郎在正男寻母的过程中历经三次重大改变。在人性的掩藏阶段,菊次郎以满口脏话和自以为是来寻求自我保护;在人性的发现阶段,菊次郎首次正视了自己的童年创伤,思想开始出现波澜;在人性的回归阶段,菊次郎则彻底释怀了曾经的伤痛,并在精神上获得重生,从而弥补和完成了曾经缺失却又极为重要的成长历程。
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机译:“微电影”与“大电影”的承继与反哺 ——从“11 度青春”《老男孩》到《老男孩之猛龙过江》 THE INHERITAGE AND RETURN NURTURING BETWEEN THE MICROFILM AND THE BIG MOVIE ——FROM THE“11 DEGREES OF YOUTH“,“OLD BOY“ TO THE “OLD BOYS:THE WAY OF THE DRAGON“