首页> 中文期刊> 《湖北经济学院学报 》 >论南朝至唐五代绝句体哀悼诗的语言风格

论南朝至唐五代绝句体哀悼诗的语言风格

             

摘要

The authors held the characteristic lines of quatrains of Mourning Poetry of the Southern Dynasties to the Tang Dynasty and the Five Dynasties. He selected the typical mourning things of the relics, left the house and left poems, orphans, widows, grave, funeral, typical of the past, drunk, dream and improve scene, etc. They often used euphemistic speech such as metaphor, metonymy, euphemism, background, allusions etc. And they often use third or fourth sentences to express their feel-ings of death and mourning. It tended to rely on interrogative pronouns and nouns of time in the third and fourth sentences to constitute a semantic turning and roughly formed three kind of composition forms of die - Lam, scenery, lyrical, death type. It summarizes the language conciseness and implication, composition compact, rich meanings and meaningful features, which presented the implication of style.%抓住南朝至唐五代绝句体哀悼诗的特点,选取遗物、遗屋、遗诗、遗孤、遗孀、坟墓、送葬、典型往事、醉、梦以及即兴之景等哀悼典型,多用比喻、婉曲、衬托、借代、用典等表示含蓄委婉的辞格和第三、四句言已尽哀无穷的表达方式抒发死亡哀悼之情。往往依靠第三、四句的疑问代词、时间名词构成语意转折,大体形成死-哀式、写景-抒情式、生-死式三种章法形式,构成南朝至唐五代绝句体哀悼诗语言概括、凝炼含蓄、章法紧凑、言简意丰、意味无穷的特点,呈现出含蓄蕴藉之风格。

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