This article examines disability as a contested notion of social inclusion by focusing on the blind songstress(guji)in early twentieth-century Guangzhou(Canton).Through personal memoirs,the print press,and institutional documents,this article reconstructs the social life of guyji as their experiences intersected with professional community,workplace,and charity.First,I show that the adoption of blind girls from families into training guilds managed by veteran guji was a chosen kinship strategy for blind women since the late Qing period.Second,the commercial sponsorship of guji following the establishment of the Republic not only expanded working opportunities for blind women but also exposed,their vulnerability to male-dominated entertainment spheres.Third,the reformist critique of guji as an inappropriate form of sex-related consumption pushed the nascent military government to collaborate with foreign missionaries in“rescuing”blind girls from their professional households.The experiences of guji thus reveal competing ideas of what qualified a disabled person to become a member of society at the beginning of the twentieth century,as work-based inclusion gave way to charitable inclusion as an outcome of shifting social attitudes toward the employment of women with disabilities.
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