首页> 外文学位 >Messianic commitment: Hope and the Holocaust in Jurek Becker's 'Jakob der Lugner' and Peter Weiss' 'Die Ermittlung'.
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Messianic commitment: Hope and the Holocaust in Jurek Becker's 'Jakob der Lugner' and Peter Weiss' 'Die Ermittlung'.

机译:弥赛亚的承诺:希望与大屠杀在杰里克·贝克尔(Jurek Becker)的《卢格纳·雅各布》(Jakob the Lugner)和彼得·魏斯(Peter Weiss)的《调查》中。

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摘要

How does hope figure in the literary representation of the Holocaust? In particular, how does Holocaust literature reconcile the dichotomy between the devalued notion of progress underlying the modern conception of hope and hope's insistent presence in the face of overwhelming despair? To raise the issue of hope appears inflammatory within the already contentious academic debate on the limits of Holocaust representation, yet this dissertation maintains that hope, though irrelevant within the context of the historical event, remains resilient for the production and consumption of its subsequent representation. Literary texts, as an integral part to the humanistic tradition, are compelled to negotiate the striking dissonance between the portrayal of the hope-impoverished world of the Shoah, this massive violation of humanistic ideals, and the notion of hope with its ensuing tendency toward redemption.; This dissertation analyzes the engagement of hope in Jurek Becker's Jacob der Lugner and Peter Weiss' Die Ermittlung. Employing a method that is literary-critical and phenomenological, the research engages the philosophical and theoretical texts of Ernst Bloch, Gabriel Marcel, Walter Benjamin, Elie Wiesel, Laurence Langer, Joseph J. Godfrey, Jayne M. Waterworth and Tom Moylan, among others. Aesthetically, this essay argues that literary representation of past injustices and suffering of which the Holocaust is one of histories most egregious examples labors under the claim for messianic mediation between the traumatic past and the future. The insistent presence of hope in response to the experience of despair compels a tendentiously redemptive representation. Rhetorically, this essay argues that both Becker and Weiss' influential texts on the Holocaust deconstructed not only the respective self-serving, official historiographies pervasive in East and West Germany at the time of the works production but also the socially condoned practices of hope that arose from the respective forms of Vergangenheitsbewaltigung. By reshaping historical memory, both texts implicitly offer alternative perspectives on how and what to hope for in regard to the future.
机译:希望在大屠杀的文学表现中如何体现?尤其是,大屠杀文学如何调和现代希望概念基础上贬值的进步概念与面对压倒性绝望的希望坚持存在之间的二分法?在关于大屠杀代表制的局限性的学术辩论中,提出希望的问题似乎是煽动性的,然而,本论文坚持认为,尽管希望与历史事件无关,但希望对于随后的代表制的生产和消费具有弹性。作为人文主义传统不可或缺的一部分,文学作品被迫在希望贫穷世界的肖像画,这种对人文主义理想的严重违反,以及希望的观念与随之而来的救赎之间达成了明显的不和谐。 。;本文分析了希望的参与对尤里克·贝克尔(Jurek Becker)的雅各布·德·卢格纳(Jacob der Lugner)和彼得·魏斯(Peter Weiss)的《死神》的影响。该研究采用一种文学批评和现象学的方法,研究了恩斯特·布洛赫(Ernst Bloch),加布里埃尔·马塞尔(Gabriel Marcel),沃尔特·本杰明(Walter Benjamin),埃利·维瑟(Elie Wiesel),劳伦斯·兰格(Laurence Langer),约瑟夫·J·戈弗雷,杰恩·沃特沃思和汤姆·莫伊兰等人的哲学和理论著作。 。从美学上讲,这篇文章认为,过去的不公正和苦难的文学表现形式是大屠杀,是历史上最残酷的例子之一,在创伤过去和未来之间进行弥赛亚调解的主张下,人们对其进行了研究。面对绝望的经历,希望的持续存在迫使人们趋向于救赎。从修辞上讲,这篇文章认为贝克尔和魏斯关于大屠杀的有影响力的文本不仅破坏了作品制作时在东德和西德普遍存在的自私的官方史学史,而且还解构了产生于社会的希望的实践来自Vergangenheitsbewaltigung的各种形式。通过重塑历史记忆,这两种文本隐含地提供了关于未来的方式和希望的替代观点。

著录项

  • 作者

    Cammin, Renate Falk.;

  • 作者单位

    Stanford University.;

  • 授予单位 Stanford University.;
  • 学科 Literature Germanic.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 181 p.
  • 总页数 181
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I516;
  • 关键词

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