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Modern taxonomy: American identity and trans-Atlantic portraiture by Whistler, Sargent, and Duveneck.

机译：现代分类学：惠斯勒，萨金特和杜温内克的美国身份和跨大西洋肖像画。

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This paper is an investigation of the way in which certain artists were characterized as "American" in the late nineteenth century despite numerous contradictory conditions, primarily the fact that they did not live in the United States. After the Civil War, America turned to Europe for inspiration and cultural refinement. Professional artists were almost universally sent to Europe for training, and some chose to stay for decades if not the remainder of their lives. The paper focuses primarily on Frank Duveneck working in Munich, James McNeill Whistler in London, and John Singer Sargent in Paris. By focusing on portraiture, a genre of painting which inevitably links painting to society at large, the often confusing and contradictory nature of national classification in art is illuminated, as the creation and reception of these works are examined as evidence of the relationship between art, citizenship, and national identity.

机译：本文是对十九世纪末期某些艺术家被描述为“美国人”的方式的调查，尽管存在许多矛盾的情况，主要是他们不在美国居住的事实。内战之后，美国转向欧洲寻求灵感和文化修养。职业艺术家几乎被普遍派往欧洲接受培训，有些人选择留下数十年，即使不是余生。本文主要关注于慕尼黑的Frank Duveneck，伦敦的James McNeill Whistler和巴黎的John Singer Sargent。通过关注肖像画，一种不可避免地将绘画与整个社会联系起来的绘画流派，阐明了艺术中国家分类的通常令人困惑和矛盾的本质，因为这些作品的创作和接受被视为艺术之间关系的证据，公民身份和民族认同。

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作者
Werner, Jennifer.;
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Tufts University.;

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授予单位 Tufts University.;
学科 Art history.
学位 M.A.
年度 2014
页码 143 p.
总页数 143
原文格式 PDF
正文语种 eng
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Modern taxonomy: American identity and trans-Atlantic portraiture by Whistler, Sargent, and Duveneck.

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