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Public art: A critical approach.

机译:公共艺术:一种重要的方法。

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In this dissertation, I provide a philosophical analysis of public art. I focus on its "publicness," and draw implications at the level of public art's ontology, appreciation, and value. I uphold the view that an artwork is public when received within a public sphere rather than within artworld institutions. I further argue that, as a consequence of the peculiar nature of its reception, public art possesses an essential value that is distinctively non-aesthetic: to promote political participation and to encourage tolerance. By examining how public art and its value(s) relate to the public domain in the context of pluralistic democracies, this dissertation also contributes to a fuller understanding of an important aspect of our social world.;Chapter 1 introduces the scope and nature of the dissertation and emphasizes few important caveats. Chapter 2 develops a general characterization of public art's "publicness." It argues that what makes an artwork public is the context within which it is received: public artworks are received within a public sphere, that is, the public-art sphere, rather than within artworld institutions. Chapter 3 expands the account of the public-art sphere as developed in Chapter 2, and argues that public artworks address a multiplicity of publics and are received within a multiplicity of public-art spheres. Chapter 4 offers a sustained account of the pluralistic logic by means of which participants evaluate opinions expressed in discussions within public-art sphere. Chapter 5 explores the role that emotional reactions play in public-art spheres. It argues that warranted emotional reactions can function as premises of arguments proposed in public-art spheres. Chapter 6 discusses the ontology of public artworks. It suggests that some of the real properties that a public artwork has are a function of some features of the public-art sphere within which that artwork is received. Chapter 7 explains the value of public art. It holds that public art's value is a function of its capacity to promote political participation and to encourage tolerance.
机译:在这篇论文中,我对公共艺术进行了哲学分析。我将重点放在其“公共性”上,并从公共艺术的本体论,欣赏和价值的层面上汲取启示。我坚持认为艺术品是在公共领域而不是在艺术世界机构中被接受时是公共的。我进一步认为,由于其独特的接受性,公共艺术具有非审美的本质价值:促进政治参与和鼓励宽容。通过研究多元民主背景下的公共艺术及其价值与公共领域的关系,本论文还有助于更充分地理解我们社会世界的一个重要方面。第一章介绍了公共艺术的范围和性质。论文,并强调了一些重要的警告。第2章对公共艺术的“公共性”进行了一般性描述。它认为,使艺术品成为公共作品的是接收艺术品的背景:公共艺术品是在公共领域(即公共艺术领域)而不是在艺术世界机构内部获得的。第3章扩展了第2章中对公共艺术领域的解释,并认为公共艺术作品涉及多个公众,并在多个公共艺术领域中得到认可。第四章对多元逻辑进行了持续的阐述,参与者可以通过多元逻辑评估在公共艺术领域的讨论中表达的观点。第五章探讨情绪反应在公共艺术领域中的作用。它认为,有根据的情感反应可以作为公共艺术领域争论的前提。第六章讨论公共艺术品的本体论。它表明,公共艺术品具有的某些真实属性是在其中接收艺术品的公共艺术领域的某些特征的函数。第7章介绍了公共艺术的价值。它认为,公共艺术的价值取决于其促进政治参与和鼓励宽容的能力。

著录项

  • 作者

    Baldini, Andrea.;

  • 作者单位

    Temple University.;

  • 授予单位 Temple University.;
  • 学科 Aesthetics.;Art Criticism.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 243 p.
  • 总页数 243
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:53:45

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